One evocative sequence features four of the six dancers standing in a row upstage, side silhouettes golden in the single light source from stage left.
Singaporean curator Tang Fu Kuen, who has been dramaturg for both Behalf and Medium, suggests that this open-endedness offers rich critical potentialities not yet manifest in its wider social fields.
As the women sing and dance they are accompanied by two gbogo drummers.
Evidence of a remarkable journey: A jagged blue rock, an Annapurna poster, a velvet tiger, a shimmering party hat.
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Foetus' vision is one of extreme pessimism, of moral if not physical apocalypse: the individual is reduced to a demon-like pervert, and society is reduced to one of hell's circles.
I boarded my dragon chariot and picked up a copy of kuensal to see a picture of Nancy Strickland standing in a group of foreigners on the front page.
Unlike Throbbing Gristle, Cabaret Voltaire introduced an "eastern" element of trance.